How to Sell Tickets to People Who Won’t Answer the Phone

How to Sell Tickets to People Who Won’t Answer the Phone
*This post was written by Kirk Wakefield – June 2017

Do you answer a call from an unknown number? Neither does anyone else.

Americans spend upwards of 4 hours a day on smartphones, but odds of answering an unidentified caller are about one in four. Millennials are even less likely to answer: Phone calls are seen as intrusive, impersonal, presumptive, time-consuming, and annoying.

According to Nielsen, Millennials spend more time on mobile devices than on TV. So, how do we reach them? We find them where they are and sell the way they like to buy.

Geo-Targeting: Raiders Case Study

Where people come from influences how they buy–and how much they’ll pay and when. Working with our partners at StubHub, we find out-of-town fans are willing to pay significantly more, even as game time approaches. Below we see the difference in ticket prices paid for Raiders games in 2016, which is similar to other markets with respect to time and distance. Using geo-targeting, we can target campaigns (e.g., Google AdWords; emails) based on location.

 

Single-game buyers and, increasingly, multiple-game buyers prefer choosing individual games (vs. ticket plans) when they want to buy and when they want to go. Young consumers have always been variety-seekers. But, Nielsen reports all buyers are increasingly focusing on a wider variety of entertainment options than in the past. Buyers aren’t just thinking about your team (i.e., the Raiders). They may just as easily click on the next Groupon, social media offer, or Yelp recommendation.

Today’s ticket buyer is twice as likely to visit ticket websites (primary & secondary sources) than to directly contact the team. Younger buyers expect frictionless[ref]Read more about frictionless service here.[/ref] experiences. That’s why teams optimize for mobile sales and distribute tickets on secondary markets to take advantage of buyers where they are and how they want to buy.

What do buyers really want?

You need to know how seats are moving in the open market to appropriately set season ticket and individual game prices to maximize revenue.

Ticket distributors (e.g., Eventellect) and sellers (e.g., StubHub) help teams understand the dynamic nature of markets by analyzing what inventory sells through and at what prices. Sample data for an NCAA property (left) illustrates a typical pattern of average ticket prices (ATP) by seating area and the percentage of those tickets which sold (STR: Sell Thru Rate).

Buyers are less price sensitive for sports & entertainment events than for pretty much anything else. [ref]Wakefield & Inman (2003), “Situational price sensitivity: The role of consumption occasion, social context and income,” Journal of Retailing, Vol 79(4), 2003, 199-212.[/ref] Here, the highest priced premium seats ($900+) and the Field Club ($250) seats sell through well (75-80%). The lower STR (67%) for Stadium Club seats suggests needed adjustments to improve perceived value compared to the more or less expensive seats nearby. The high STR on New Alumni seats suggests the team could raise those prices, but may have overshot the mark on the Gold Zone seats. Without this data, this team would continue to leave money on the table or empty seats with inefficient pricing schedules.

The right side of the charts above show the hottest seat sections on the market for this team. If they offer inventory using dynamic pricing, share revenue with a consolidator, or (opaquely) distribute via a ticket provider like StubHub, they will capitalize on the high demand for specific sections (e.g., Benchback I and Gold Zones W and CC).

When should we release inventory and adjust prices?

Most individual game tickets sell during the week prior to the event. Well over a third sell in the last 72 hours. As the sample data shows below, advance ticket buyers are willing to pay more (ATP = $128) compared to those buying in the month leading up to the event (ATP = $72).

When should tickets be released for individual purchase? Earlier is better. Some teams hold tickets back to release close to game time. But, we can see this is not the best time to get the highest price. In a forthcoming journal article, we find that experienced sports & entertainment buyers have learned it’s better to wait to buy. But, if you want to sell high–like to out-of-town visitors and other infrequent, inexperienced buyers, supply needs to increase well in advance.

Conclusion

We’ve been analyzing retail pricing strategies for over 25 years. Pricing strategies in sports are quickly catching up with corporate practices, but much less is known about pricing intangible services than pricing tangible goods and products.

If you’d like to learn more about opportunities to analyze your ticket data or gain more insights, feel free to reach out to our friends at StubHub: Charlie Rockman, Nick Rudolph, and Adam Budelli. If your organization is interested in collaborating in our research center, please contact Kirk Wakefield.

 

StubHub Ticket Insights: Changes in Who, How & When People Buy

StubHub Ticket Insights: Changes in Who, How & When People Buy
by Kirk Wakefield – May 2017

In a league of its own

StubHub sells a ticket at least once every second. Over 21 million unique highly qualified buyers visit StubHub every month. Last year (2016), StubHub sold over $4.2 billion in tickets. That total essentially places StubHub in a league by itself, comparable to the NBA or Premiere League and more than the total revenues of the NHL, Bundesliga or La Liga.

Thanks to our S3 partnership with StubHub and Geoff Lester, our friends Charlie Rockman and Nick Rudolf presented breaking insights at our annual S3 Board Meeting in January, 2017.

In this article we present three of these insights related to demographics, search habits and mobile use in ticket purchase. Next month we will follow with insights on geo-targeting, conversion to ticket plan buyers, and inventory management given the timing of purchase behavior.

Demographics of online ticket buyers

Knowing half the females in the DFW metroplex are Dallas Cowboys fans, the Cowboys launched www.5pointsblue.com to offer content written by female staff members. The content appeals to the female fan base, but a broader audience as well, generating 350,000+ monthly visits. Other properties would do well to emulate the initiative to serve its entire fan base in a way that meets needs and preferences.

As seen below, we see a slight shift in females buying online (43%), but more importantly the Average Order Value (AOV) increased among first time female buyers versus first time male buyers. As millennials overtook baby boomers as the largest generation this past year, so has the percentage of younger buyers. These young buyers may see concerts and other events as viable entertainment options to sports. Commensurately, we see more lower-income first-time buyers–who will be tomorrow’s potential season ticket holders. The question is: How are teams serving the buying needs of this younger segment that will translate into future ticket buying fans?

 

Ticket Search: Event, Team or Date?

Knowing how people search is one of the keys to successful Google AdWords campaigns. Which of these is most likely to show up in a relevant search?

  • Event (Cavs vs. Rockets)
  • Team (e.g., Cleveland Cavaliers) or artist (Justin Timberlake)
  • Date (Friday, December 1, 2017)

We might think new buyers typically want to see a specific event on a certain date. We would be wrong. Instead, buyers increasingly and foremost search for the team or artist, rather than having a specific event or date in mind. Furthermore, last minute purchases (33%) and on-the-go (not at home/office) are the major reasons for purchasing via mobile. So, if we want to reach people where they are–with phones in hand–we best be mobile and search-engine optimized for quick access.

 

Mobile First Strategy

In 2014, 41% of traffic and 20% of sales came via mobile for StubHub. Just two years later, 60% of traffic and 42% of sales came via mobile. In general, revenue from 2015 to 2016 is increasing via online purchases, but disproportionately via mobile in terms of tickets sold (+25%) and total sales (+44%) compared to tickets sold via desktop (-3%) and total sales (+10%). (See graphic at the top of this article.)

Expect the trend toward mobile to continue. In the past the majority of time spent on mobile was searching, but most purchases of goods and services were made on desktops. But, as StubHub and others with native apps improve the mobile experience, more will shift to mobile purchases.  As seen below, the majority of purchases are still on desktops, but more bought via mobile devices and native apps in 2016 than 2015. The most mobile-friendly buyers are football (NCAA & NFL) fans, but the growth in mobile purchases will extend across leagues.

 

Conclusion

In short, the takeaway insights are:

  1. Target females the way they consume content and make purchases.
  2. Manage search engine campaigns aimed at team/artist searches, more so than event or date.
  3. Optimize for mobile ticket purchases. If your mobile sales are not growing at the same rate as the market, you are not mobile optimized.

When do people buy? And what happens to average ticket price over time? We know over one-third now wait until the last 72 hours to purchase. To learn more, come back for next month’s release.

Selling Experiences Online: Announcing the BAV-S3 4V® Brand Index

Selling Experiences Online: Announcing the BAV-S3 4V® Brand Index
by Kirk Wakefield – June 2016

Juniper Research classifies ticketing as one of the primary commerce applications driving eCommerce, estimating over one-fourth of ticket purchases will go mobile in the U.S. by 2020, and over half of ticket purchases outside of the US and Europe to be mobile-based by 2020. Teams like the Portland Trail Blazers renew season tickets via mobile devices and continue to see fans more comfortable in making both small and large transactions on mobile apps.

While we in the U.S. may think life moves at the speed of digital, we move at a snail’s pace compared to the growth in China, where the average consumer spends 45 hours online a week (10+ over global average). B2C e-commerce in China is expected to grow at a 30% clip from 2016-2020. As sports-related brands seek a global presence (like Barcelona and Real Madrid), teams and vendor partners must focus on engaging fans in the ways fans desire, rather than only what is expedient or profitable in the near term.

The quality of the consumer experience with the brand in online ticketing will determine the winners and losers as the world turns increasingly mobile. How do we know who’s winning? Who’s winning so far?

The BAV-S3 4V® Brand Index

The BrandAsset Valuator (BAV®) database is the largest and leading quantitative, empirical study of brands and consumers. Spanning 16 years, 51 countries, and over 680,000 respondents, BAV is the world’s largest database of brand perceptions; containing ratings on over 43,000 brands on 72 dimensions.

In collaboration with BAV, we developed the S3 4V ® Brand Index that evaluates online brands in terms of three positive dimensions of value, vision, and social vibe and one negative dimension of vanity. Customers favor online brands that demonstrate:

  1. Value: The leader, the best brand online characterized as (having)
    1. good value and worth more,
    2. trustworthy and reliable,
    3. simple and straightforward,
    4. high quality and high performance,
    5. original, authentic, down to earth and traditional
  2. Vision: The progressive, innovative, up-to-date, intelligent, visionary brand that is gaining in online popularity.
  3. Social Vibe: The brand that represents a fun, social, friendly, and charming online persona.

Customers discount or disfavor brands trying to score style-points without substance. Online visitors pick up on signs of Vanity, characterized as attempts to appeal to the upper class on the basis of glamour, style, prestige, sensuality, and trendiness. We find this has a negative effect on regular brand usage.

Together, these four dimensions explain over 50% of consumer usage of the brand. That amount of variance is another important V to consider as brand compete to win customers to their online real estate.

The Winners

The 4V Brand Index covers 278 brands that offer some form of online experience across a dozen sectors. Our index places weights on each of the four Vs in an equation that best predicts brand usage. Scores range from Amazon on the high end (29.02) to ISIS (-7.24) on the low end. Sectors include mobile phones, with iPhone and Samsung Galaxy outclassing all other comers by large margins. More interesting is competition among mobile payment vendors (Amazon Local Register vs. Apple Pay vs. Square), internet tools and services (Google Maps vs. MapQuest), or social media (how is Snapchat doing against Facebook, Twitter and LinkedIn?).

But, since we’re all about sports first, that’s where we will begin. The table may be sorted based on the overall index score or each of the 4Vs.

[table id=4 /]

Ticket sellers

Although tickets are only a part of their businesses, eBay and Groupon lead the way in offering online experiences that customers perceive as offering value, vision, and vibe that outweigh attempts to appeal to the vanity of buyers. Given shopper motives for buying online, the strongest predictor of brand usage in our equation is value, followed by brand vision.

Between the two leaders in ticket sales online, eBay’s subsidiary, StubHub (8.56) performs better than Ticketmaster (7.13), primarily due to vision (13.29 vs. 10.52) and social vibe (12.61 vs. 10.54) customers get when they visit their websites or use their mobile apps.

In the future, we will add SeatGeek and VividSeats to the index, two ticket sellers with significant investments in online and mobile ticket distribution.

The Losers

Fan Duel and Draft Kings suffer from high vanity scores and low value scores. Being new and on the cutting edge (vision) helps attract customers, but a brand’s longevity is in question if it cannot deliver value.

On a broader scale, sports teams must be mindful of partnering with online brands with negative personas. The two lowest rated online brands (ISIS and Al Jazerra) clearly aren’t potential partners, but not far behind are Foursquare (4V = .13) and Tinder (4V = .18). Granted, these might target specific fan segments, but the signal sent to all customers may not bode well for the team and its other brand partners. Brands with relatively low 4V scores may be due to overall low market strength and penetration. Customers don’t necessarily hold negative perceptions, but may hold no perceptions at all about the brand.

Looking forward

In future analyses, we will take a closer look at ticket sellers to examine the specific features and drivers of customer online experiences.

How sponsorships can add to the fan experience

How sponsorships can add to the fan experience
by Lynda Carrier-Metz – December 2015

What is the first sponsorship question?

The first question we ask as we develop each partnership with a sports team is: How can our involvement benefit our customers? The second question quickly follows: Will this partnership ultimately drive sales for our company?

When I was in college (quite a while ago), the athletic director needed to ramp things up. He brought in camels to race during the half-time entertainment.  I don’t recall a sponsor. It was a desperate act to get fans in the stands.  It was high on the shock-level, but not very interactive.

That was then…

When we signed our first sports contract a couple of decades ago, stadiums had limited sponsor signage. Game time sponsor entertainment was sparse. Sponsors were less sophisticated about how to leverage opportunities with sports teams.

Fast forward to 2016: Schools push back on sports management companies. They say there are:

  1. Too many signs,
  2. Too many (2-3) promotions in each break, and
  3. Too many spectators numbed to the exposure overload.

How can a sponsorship add to the fan experience?

What can we do? How can we add to the fan experience–rather than add to the over-commercialization of sports? Both seller and sponsor are responsible for assuring they enhance the overall event.  Otherwise, everyone loses.  Fans stop paying attention. Sponsor messages don’t cut through the clutter. Contracts aren’t renewed.

This situation happened to us with a long term partnership. We nearly walked away from future sponsorship. The cost was high. We didn’t believe the impact was what we once had.  Both parties reviewed what we were doing. We saw what was working and what wasn’t.  After months of discussing solutions, we found new events fans would enjoy with ways to focus our media to cut through. How?

  1. Own the opening game segment. Own the beginning of the game, both on TV and in-stadium.  During our post season review we determined the in-stadium activation was a really fun promotion. The kid-fans experience was great. But, awareness was low.  The promotion ran prior to the game before many spectators were in the stands to see it.  Rather than ditching a good idea the kids enjoyed, we did the promotion and ran a recorded “recap” immediately prior to the game.  Fans now in their seats see kids having a great time. Our brand is associated with that fun fan experience that can only occur by attending the game.
  2. Activate post-game purchases by tying it to the results of the game.  While supporting their team, fans know if the team wins. When they do, they win a way to buy our product for less.  We increased views and received only favorable comments on Facebook throughout the football season. We used social media and traditional media to promote. The sales results are great. (We lucked out with a near perfect season. If the team isn’t expected to win many games, make the tie-in connected to points scored or some other favorable outcome.)

These kinds of approaches work because we connected the promotion with (a) a clearly identifiable event that happens every game and (b) an enjoyable consumer (re)action. As a sponsor, align your brand with the team to offer a better product by focusing on how to make the fan experience more enjoyable.


Cover photo courtesy of Dustin Holmes.

Making Connections: Contact Puts the Ball in Play

Making Connections: Contact Puts the Ball in Play
by Carson Heady – May 2014

How to sell: Put the ball in play

Fundamental to any activity or sport is to put the ball in play. This necessitates action on the part of the participant(s) and begins with how and when we make contact.

On the field, it is about formulating strategy, addressing the ball, following through and studying results to adjust for future shots. Business and sales are no different; prospecting and approaching connections to build relationships must be handled with the same finesse.

As with all facets of sales, the quality of each leg of the process determines quantities of successes. Fashioning the optimum game plan for narrowing our search for prospects, garnering attention in the proper way, reaching out with maximum effectiveness and showing why you or your product is supremely relevant inches you closer to your goal line. Like charging down the field, each possession’s objective is to manage plays effectively enough to get as close to that end zone as possible. We will not reach it every time, but the more masterfully we operate each play and possession, the better our chances.

Three things you must do to win

[dropshadowbox align=”right” effect=”lifted-both” width=”350px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]Bart Elfrink“Networking is what landed my most prominent directing roles. As a filmmaker, networking is of utmost importance and it is truly all about who you know when it comes to securing interviews. Diversifying the groups I was networking with rather than just one core group made all the difference; taking initiative, starting conversations – you never know where they will lead and deals are made over conversation, coffee and meals.” Bart Elfrink, Director & Cinematographer[/dropshadowbox]From looking to land a job to attempting to market a product or service, it is vital to:

  1. make authentic connections,
  2. showcase unique attributes, and
  3. improve their lives.

Ultimately, you want to prove that your target audience would be better off with what you have than what they have now or have to choose from.

Examine your playing field:

  1. What experience or attributes are being sought in the arena you wish to conquer?
  2. What do you or does your product offer that ensures you are uniquely qualified to fill a gap?

These are the strengths you highlight as you grab attention and carry on throughout the selling process. Learning your audience’s needs through analysis and questions is step one; showcasing how you fill the gap best is the rest. Realize that you and your product are up against considerable odds; this does not rule out victory, but means you must work smart and understand this contact sport.

How to connect

[dropshadowbox align=”right” effect=”lifted-both” width=”350px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]laura.wiley“If you don’t put yourself out there, you will never know your fullest potential. Network and connect with everyone (and I do mean everyone) you know as will often be surprised to find what opportunities lie within the those you are closest too as well as farthest away. Connect and engage, talk and share, give and get – it is how trusting and long-term business relationships and strategic partnerships grow.” Laura Wiley, Principal/CMO of Marketing Lift[/dropshadowbox]Connecting today has a different feel with the prominence of social media and ability to quickly pinpoint your target decision maker; with a simple search we can locate VP’s and CEO’s and attempt to make contact. That said, anyone can make contact, so you must ensure your contact counts. Utilization of sites like LinkedIn grant you access to all the movers and shakers across every industry:

  1. Build your network strategically by casting a wide enough net of individuals who could serve as decision makers or point you in the right direction.
  2. Aim high, specifically in small-to-mid-sized businesses where a CEO will be more apt to accept your overtures.
  3. Do it with distinctive, classy flair. Don’t use the generic LinkedIn request.
  4. Never pin all your hopes on just one person for a job or sales decision. Formulate multiple plays across all pertinent companies and industries so you are prepared for whatever obstacles you encounter.

How to approach

Approach requires just as much thought. Using your own conversational style, the approach might go something like this: “Mr./Mrs. X – It is my hope this note finds you well. With your expertise in _____ and our mutual interests, I believe you would be an excellent person with whom to share ideas and learn from. I would be honored to be part of your network.”

Whether by LinkedIn or email, supplanting the generic, average introduction will get your note noticed where others land in the penalty box of the virtual trash can. From there, timely follow up within a matter of days thanking them for the connection and requesting advice on the industry to gain access to them will have far more success than pushing a product or asking for a job up front.

Casting a wide net also means:

  1. researching local networking events,
  2. utilizing your existing network to meet new prospects (i.e, referrals), and
  3. leaving no stone unturned as you put your best quality foot forward in meeting and greeting new contacts with whom to form mutually beneficial relationships.

Like any part of the game, prospecting and connecting determine how far the ball carries, and are integral in your quest to circle the bases.


Cover photo courtesy of Tate Nations.

 

Why Sponsors Flock to The Olympics and Super Bowl: 5 Things You Didn’t Know About Their Fans & Brands

Why Sponsors Flock to The Olympics and Super Bowl: 5 Things You Didn’t Know About Their Fans & Brands
by Anne Rivers – February 2014

Why do brands line up to sponsor The Olympics & the Super Bowl? Below are five truths you might have suspected, but didn’t have the evidence or the details that explain why brands do what they do.

1. The Super Bowl and The Olympics are the two most powerful sports brands in the United States.

Top Sports Brands, U.S.

2. Across all leagues the final game is always more powerful in terms of brand strength and stature.

Screen Shot 2014-01-31 at 9.20.15 AM

3. The Super Bowl and The Olympics have the most avid fans.

 When broken down into percentages of dedication from respective fan bases, the NFL & Olympics have more avid fans than the other leagues, providing tremendous brand rub for sponsors.

Screen Shot 2014-01-31 at 9.20.18 AM

4. The Super Bowl and the Olympics Match up with Unique Brand Images

The dedication of each fan base, especially when describing The Super Bowl or The Olympics, originates from what each sporting event stands for. The Super Bowl stands for iconic performance and fun and can be compared to similar brands as the image below indicates. The Olympics, on the other hand, are usually characterized by originality, authenticity, and grace.

Screen Shot 2014-01-31 at 9.20.22 AMScreen Shot 2014-01-31 at 9.20.22 AM 2

5. The Seahawks’ image stands for fan passion, but the Broncos stand taller for perceived skill.

In anticipation of the upcoming Super Bowl this weekend, we, and avid NFL fans, see the Denver Broncos taking home the Lombardi trophy.

Screen Shot 2014-01-31 at 9.20.25 AM


Special thanks to Emily Buratowski for helping with this article.

Market (Sell) Like a Rock Star!

Market (Sell) Like a Rock Star!
by Lynn Wittenburg – August 2013

I got this headline “Market Like a Rock Star” in an email after I read the book Radical Marketing. They were trying to sell me a book about the Grateful Dead. No sale, but it caught my attention.

What if I really did market like a rock star? What would that look like? Here are four ways I’ve come up with so far. Feel free to tweet more to the list (@lynnwitt) or comment below.

1. Rock stars have larger than life personalities.

Most rock stars (think Ozzy & cats, Bon Jovi & hair, Madonna & sex) have VERY large personalities. Some trait or characteristic they exploit to the fullest becomes their trademark.

We can do that in sales & marketing. Figure out the one thing you can hang your hat on and roll it out big time. Go with the largest “personality” your company has. For you personally, what one thing do you want customers and colleagues to know you by? Don’t hope they catch it. Make it central to who you are and what you communicate.

2. Rock stars are considered crazy.

You hear about it all the time. Rock stars are nuts. Troubled. Deemed crazy. And in this case, usually they are. :-)

But in marketing, we can be crazy in a good way. We can dare to do things that people deem unconventional. I watched an old video of Steve Jobs. The commercial at the end of the video is what sticks with me. Look at people like Jobs that the world called “crazy” and look at what they accomplished because they didn’t listen to the World.

3. Rock stars love what they do.

In Radical Marketing, the Grateful Dead talk about their passion for their music. They grew bigger than life but it was always about making music.

Do you love what you do in sales & marketing? Because if you don’t love it, how can you expect your customers to love it. Passion is contagious.

4. Rock stars dress the part.  

Led Zeppelin
Led Zeppelin

When it comes to attire, rock stars GO BIG or GO HOME! When you are a rock star your “outfit” is as much of your personality as you are.

I attended an Aerosmith concert and Led Zeppelin opened for them. Those dudes STILL have the outfits, the beards and the long hair long long after they hit 60 years old.

When it comes to marketing your product, what is the packaging? How are you presenting it? Are you putting your best foot forward and giving your audience something to remember you by?

What about you?

Well, that’s it. I don’t want to be a ROCK STAR but I’d like to market like one. If you’re going to be a rock star in sales & marketing, what other tips do you suggest? Click the tweet button below and let me know (@lynnwitt)!


Photo cover thanks to KennySun. Led Zeppelin picture thanks to Jonathan Bayer.

 

What makes a great ballpark?

What makes a great ballpark?
by Kirk Wakefield – May 2013

My favorite is AT&T Park. You don’t have to love baseball to love going there. And that really is the business issue: How do you build or maintain a park that attracts people who don’t really care about baseball? The Cubs aren’t spending $500 million in renovations because baseball fans don’t love Wrigley. They’re concerned about the long-term attractiveness of the park and providing all fans, baseball lovers or not, with a good experience.

What makes a good park?

In the past two weeks I visited  Dodgers Stadium, Petco Park (Padres), and Citizens Bank Park (Phillies). On this three-park trip I focused more on the team stores in addition to the sportscape. Let’s take a quick look at the good, the bad, and the ugly. Let’s start with the good.

sportscape-factorsSan Diego’s Petco Park is also one of my favorite parks. The location is perfect, adjacent to the Gaslight District for fine eating and close to major thoroughfares and public transportation for easy access. Walk two blocks and you’re good for a stroll along the bay. I’ve been here many times, so the pictures highlight a few things you might not notice if you’ve only been here once or twice.

Many team stores are designed as an after-thought. Not so at Petco Park. The Padres team store opens to an exterior retail street. The merchandise assortment, displays, lighting, and layout are as nice as any comparable upscale retail store. (Place cursor over pictures to pause & read comments.)

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Philadelphia’s Citizen’s Bank Park is located in the same area as all of the Philly sports facilities. Public transportation is great (take the Phillies Express to the AT&T subway station), parking is fine, but if you plan to do anything else besides go to the game, forget about it. Outside of the Xfinity Live! establishment on the corner by the football and baseball stadiums, there’s nothing but concrete for miles.

Great parks have signature foods and restaurants–not only in the club level–that fans actually want to consume beyond standard hot dog & beer fare. Outside of maybe the Philly cheese steaks, this is not one of them. The food service on the club level is above average, but the general access food is typical. Overall, the layout and design of the park is easy to navigate and the size of the stadium makes for good sight lines and seats all around.

With respect to the team store, fans may be deceived by the relatively small storefront visible from the concourse. The store is very large and contains an extensive collections of kids and women’s clothing. As with the Padres, the Phillies offer some exclusive items you can only get at the park. Good call.

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Dodger Stadium is iconic. Any baseball fan will love it.

Dodger Stadium Access
Dodger Stadium Access

Any non-fan? Not so sure. You may have heard it’s in a ravine. From a traffic standpoint, the vast majority of fans assume the only entrance is off the 110 via I-5 or the 101 (blue line on map). The reality is not that LA fans are fashionably late. They are all stuck in traffic about a mile from the stadium.

After sitting at a complete standstill for 15 minutes coming off the 101, I took off to explore an alternate route (the black line) away from the traffic jam. (“Yes, dear, it IS better to move no matter what than to stand still in traffic.”)

In short order I ended up parked–for free–on a nearby street where all the locals obviously go. Traffic was still piled up at the bottle-necked entrance as I walked past the $20 parking. All it would take would be a few traffic cops directing to the less traveled routes. Alternately, like the San Antonio Spurs and others have done, teams can place traffic directions on the website for newcomers. Better yet, email to new ticket buyers.

Now to the apparel and a few other things. Since I love Magic Johnson and the Dodgers I will just let the pictures speak for themselves.

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The smaller team store, drab concrete floors and facades, and cramped serving areas are problems with any park built back in the Stone Age of stadiums (1950-70s). Food service areas, passageways, restrooms, and virtually anything that should provide amenities were designed as discomforts. That said, the lower levels have better food service, but fans aren’t allowed to go below their seated level.

Franchises can make some changes. The Dodgers could generate millions in new revenue by moving the press box out of its prime space directly behind home plate. Other parks (e.g., White Sox, Astros, etc.) moved press boxes and immediately sold out all of the new premium seats.

Want more?

These are just snapshots of a few things baseball franchises (MiLB and MLB) should be monitoring. As part of Baylor’s Sports Sponsorship & Sales (S3) program, we go into these issues and many more. If interested in an in-depth treatment of sportscape management, you may want to read more at www.teamsportsmarketing.com. As information, this text contains frequent attempts at humor.

Soup for you!

Soup for you!
The Original Soup Nazi
The Original Soup Nazi
by Phillip Grieco – March 2013

It’s been nearly 18 years since the famous Seinfeld Soup Nazi episode aired. Yet “No soup for you!” still seems to roll off the tongue every time someone has the liquid delicacy.  For Hale & Hearty, a popular NYC lunch destination, soup is truly at the core of their business.  They understand all too well that the city they cater to can be a challenge. How do you stand out when your consumer has thousands of other choices for lunch?

Hale & Hearty decided to launch its first ever “Chef Series” as a way to break through the clutter and drive additional sales during the very competitive holiday season.  The Chef Series is a six week competition in which the local chain aligned with six New York celebrity chefs and had them each create their own distinct soup.  Each chef’s distinct soup creation was featured, one week at a time, and a portion of the soup’s sales donated to a local charity of the chef’s choice.  The soup that raised the most money for charity during the six week campaign was the champion of the Chef Series and received an additional check for their charity.

[dropshadowbox align=”right” effect=”lifted-both” width=”250px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]

Express stage

When it comes to sports and entertainment, people’s love for music acts as the connective tissue. For brands, it’s trying to harness this emotional connection to music to motive behavior and ultimately purchase. Brand Synergy Group, a music marketing consulting agency, worked closely with EXPRESS to conceptualize, strategize and execute the brand’s Texas 2012 Spring Break activation in South Padre Island, TX. To bring excitement to the annual event and relevance to the brand, Brand Synergy Group paired EXPRESS with emerging acts like Theophilus London, Breathe Carolina and Chiddy Bang to bring a memorable experience through up close and energetic performances for the consumers. EXPRESS blew up spring break to be more than just a vacation from school, but an unforgettable experience.

. ~Brian Lancey[/dropshadowbox]Along with this great local community message, Hale & Hearty received plenty of press surrounding the program, including a feature in The New York Times.  Initial estimates for foot traffic and sales are up significantly over last year.  Hale & Hearty is already looking at creating other iterations of the series that fit with respective season, holiday, or major current events.

What we can learn from initiatives like Hale & Hearty (or EXPRESS, inset) is:

  1. Repackage. Take something common (soup) and bring “a red carpet and bright lights” to it.
  2. Trends. Tap into trends like the current celebrity chef craze.
  3. Competition. Everyone loves a competition.
  4. Charity. Tying in with local charities provides that additional compelling reason to buy more frequently and feel good about it.  It’s not only creating buzz, but also makes a great loyalty driver.

What do we have that we can repackage into a bigger idea?  Can we take one-off cultural game nights and turn it into a larger year-round platform?  What about our community initiatives? We have so many unique ideas we can offer as as sports properties. So find your soup and let’s get cookin’!


The original Soup Nazi photo courtesy of Mike Fox

 

What drives fan passion?

What drives fan passion?
by Kirk Wakefield – January 2013

What makes a passionate fan?

A passionate fan devotes heart, mind, body, and soul to the team. The consequences of a passionate fan base are increased ticket, media, merchandise and sponsorship revenue to the team.

But what are the antecedents to fan passion? What causes fans to be passionate?

Researching passion across thousands of fans and all major sports, we can now explain the vast majority (~75%) of the WHY fans are passionate for a particular team and not a fan of another team. Teams become popular when it becomes part of CULTURE.

Colin Faulkner
Colin Faulkner

In Chicago, “Cubs fans are part of a special group; the best fans in baseball who get to call the best place to watch baseball their home, Wrigley Field,” explains Colin Faulkner, Vice President, Ticket Sales & Service with the Cubs. The experience fans get at Wrigley make it cool to be a Cubs fan and it provides a positive identity for fans. It’s become part of the Chicago culture.

[dropshadowbox align=”center” effect=”lifted-both” width=”550px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]Fan passion is based on the team’s CULTURE:

Cool: Is the team cool, original, and different from other teams?
Unique: Does the team occupy a distinct space in the sports marketplace based on their exclusive logo, brand name, and singular quality, design, colors or style?
Love: Do fans love the players on the team? Are fans emotionally attached to players?
Trust: Do fans trust the organization running the team to be dependable, competent, responsive, and to act with integrity?
Utility: For what fans get for what they give up in time, effort, and money, what is the value of a ticket to a game?
Relationships: What does the image of the team say about fans to others? Does following the team bring social approval?
Experiential: Does the game environment allow fans to enjoy the experience and entertainment? Does the game experience build evangelists for the team?[/dropshadowbox]

 

We can score and rank teams on how strong the CULTURE is for teams in their markets. This data offers marketing diagnostics for teams and quantifies value for brands evaluating sponsorships.

An example

We took a sample of 430 students at Baylor University to measure their passion for professional teams in Texas. Given our location 90 minutes away, students are biased toward DFW teams.1

 

Culture, Passion, and Fans

Implications

1. Fan perceptions of team performance doesn’t necessarily predict passion. Students accurately see the Texans as one of the best performing teams and the Astros the worst, but this doesn’t correspond with how passionate they are about these teams. In fact, once we statistically account for the other elements of CULTURE, performance doesn’t help explain fan passion at all.

2. The Cowboys have not performed particularly well on the field in the past 15 years. Why are they so popular? Because they effectively position themselves as a cool, unique franchise with an exciting game experience. They have become part of the CULTURE.

3. The Spurs are frequently recognized as one of the best run franchises. While these students have a bias toward the DFW teams, they recognize the trust fans have in the Spurs organization.

Mike Birdsall
Mike Birdsall

4. The utility–or perceived value–of ticket prices is closely related to fan passion and the experience at the game. The true value of tickets is never a matter of cost, but always a matter of passion and past experiences.

What can teams do to build a CULTURE of passionate fans? Next month we’ll discuss, among other things, how organizations can build passionate fans by upgrading the experience and developing coolness.

“At Penn State football, if you missed the awesome touchdown catch, no worries. Pull out your smartphone and watch as many times as you want from multiple angles,” explains Mike Birdsall, FanConnex. “Don’t want to wait in line for food? At Stanford you can order food from your seat and receive a text when it’s ready to pick up at a special express window.”

 

 


Survey was taken the week prior to the Rangers falling out of first place.