To obtain copies of back issues of the Eudora Welty Review, contact the University of Pennsylvania Press.
2021, Vol. 13, Eudora Welty Review
ix Users’ Guide: A Word from the Editor—Pearl A. McHaney
Tributes
1 William F. Winter, February 21, 1923–December 18, 2020
5 Roger Mudd, February 9, 1928–March 9, 2021
Correspondence Calendar
7 Correspondence Calendar, 1931–1977: Letters between Eudora Welty and Frank Lyell
Julia Eichelberger
Eudora Welty & Friends
167 Mary Moore Mitchell, Eudora Welty, and Me
Norma Flora Cox
191 Charlotte Capers: Clio of Our Time
Jesse L. Yancy
Seminar Roundtable
213 Seminar Roundtable: Eudora Welty and Mrs. Brown
Sarah Gilbreath Ford
217 Getting Hold of a Face: The Tactile and the Visual in Eudora Welty’s “Clytie”
Andrew Hicks
229 Vision and Violence: Ran’s Monologue in “The Whole World Knows”
Allison Scheidegger
243 “Stand still”: Delta Wedding and the Perils of Perception
Ryan Sinni
257 “to touch the dark cheek”: Facing the Postbellum South in “Clytie”
Hannah Wells
Practical Matters
275 Eudora Welty Foundation
Jeanne B. Luckett
281 Eudora Welty House and Garden
Lauren Rhoades
283 Eudora Welty Society
Annette Trefzer
285 Eudora Welty Collection, Mississippi Department of Archives and History
Forrest Galey
295 2020 Welty Fellowship Research Report “Shelter for Secrets”: Eudora Welty and the Craft of Identity in One Writer’s Beginnings
Margaret Pless Zee
Notes
307 Recollections of Eudora Welty: Monteleone Hotel, New Orleans to Pinehurst Street, Jackson
Hunter McKelva Cole
309 Charles Dickens’s Sairey Gamp in Eudora Welty’s “Petrified Man”
Allison Scheidegger
Checklist
315 Checklist of Welty Scholarship 2020
Catherine H. Chengges
2020, Vol. 12, Eudora Welty Review
ix Users’ Guide: A Word from the Editor—Pearl A. McHaney
Tributes
1 Danièle Pitavy-Souques, May 27, 1937–July 13, 2019
5 Elizabeth Spencer, July 21, 1921–December 22, 2019
9 Jim Lehrer, March 19, 1934–January 23, 2020
Special Issue, “TheContinuous Thread of Revelation”: Eudora Welty Reconsidered
13 “The Continuous Thread of Revelation”: Eudora Welty Reconsidered
Adrienne Akins Warfield and Sarah Gilbreath Ford
Essays
19 “A lady couldn’t expect to travel without a hat”: Cultural Capital, Gender, and Sexuality in Welty’s Short Fiction
Laura Sloan Patterson
37 Women!! Make Husband in Own Home!: Welty’s Use of Sewing as Subversive Practice
Monica Carol Miller
53 Eudora Welty and the House of Fiction
Michael Pickard
69 Precarious Memory: Eudora Welty and the Mississippi State Lunatic Asylum
Keri Watson
87 The Beauty Parlor as Comic Cauldron in “Petrified Man” and Steel Magnolias
John Wharton Lowe
103 Burning the Breadboard: A New Approach to The Optimist’s Daughter
Peter Schmidt
125 Speculations on Eudora Welty’s Reading of Seven Gothic Tales and Out of Africa by Isak Dinesen
Pearl Amelia McHaney
143 Crusading Is for the Birds: Politics and Eudora Welty’s The Shoe Bird
Elizabeth Crews
157 Teaching Welty in the High School Classroom: A Student/Teacher Collaboration
Rebecca L. Harrison, Paisley Sloan Burklow, Morgan Murphy, Susie Chestnut Sewell, Abbie Smith, & Arielle Vaughan
Interview
183 Hunter McKelva Cole Reminisces about Eudora Welty and Country Churchyards: An Interview
Elizabeth Sweeney
Reviews
197 Review of New Essays on Eudora Welty, Class, and Race, edited by Harriet Pollack
Michael Kreyling
205 Review of Labor Pains: New Deal Fictions of Race, Work, and Sex in the South, by Christin Marie Taylor
Annette Trefzer
Practical Matters
209 Eudora Welty Foundation
Jeanne B. Luckett
218 Eudora Welty House and Garden
Lauren Rhoades
220 Eudora Welty Society
Harriet Pollack
226 Eudora Welty Collection, Mississippi Department of Archives and History
Forrest Galey
235 2019 Welty Fellowship Research Report: Eudora Welty and the Technological South
Kaitlyn Smith
Note
249 Betty Uzman, William Maxwell, Eudora Welty, and
Jesse C. Jackson
Suzanne Marrs
Checklist
251 Checklist of Welty Scholarship 2019
Catherine H. Chengges
Spring 2019, Vol. 11, Eudora Welty Review
ix Users’ Guide: A Word from the Editor—Pearl A. McHaney
Works by Welty
1 Review of Out of Africa by Isak Dinesen, 1938
Eudora Welty
5 Letter from Eudora Welty to Elizabeth Bowen, August 1951
Eudora Welty
9 Photographs, 2019
Eudora Welty
Review
11 Review of Photographs, 2019
Pearl A. McHaney
Interviews
21 John Evans and Lemuria Books
Brittany Goss
27 Katy Simpson Smith, Eudora Welty Chair for Southern Literature: An Interview
Essays
33 “The Still-Existing Parts of Life,” Part I: The Early Correspondence of Eudora Welty and Mary Louise Aswell
Elizabeth Crews
47 An Economics of Apathy: Anxieties of Capital and Care in Delta Wedding
Jill Fennell, Winner of the 2018 Ruth Vande Kieft Prize
Note
71 Circe and Language: What Welty Took from Joyce
Michael Gleason
Seminar Roundtable
77 Eudora Welty’s Family Elegies: One Writer’s Beginnings and The Optimist’s Daughter
Dianne Berger
83 Eudora Welty’s Cyclical Temporality: Intersections among Memoir, Nonfiction, and Fiction
Viktorija Bezbradica
91 “My Greatest Pleasure in Writing”: Dialogue in Eudora Welty’s “Death of a Traveling Salesman”
James A. Jordan
Practical Matters
97 Eudora Welty Foundation
Jeanne B. Luckett
103 Eudora Welty House and Garden
Bridget Edwards
105 Eudora Welty Society
Harriet Pollack
107 Eudora Welty Collection, Mississippi Department of Archives and History
Forrest Galey
113 University Press of Mississippi Announces New Series on Welty
115 2018 Eudora Welty Research Fellow Report: Revisions and Revelations in A Curtain of Green and Other Stories
Caroline Brandon
Checklist
125 Checklist of Welty Scholarship 2017–2018
Catherine H. Chengges
Spring 2018, Vol. 10, Eudora Welty Review
ix Users’ Guide: A Word from the Editor—Pearl A. McHaney
The Golden Apples in Translation & an Interview
1 “God, What a Beauty”
Hana Ulmanová
5 “No other book received so much care”: Interview with Martina Knápková, Translator of The Golden Apples from English to Czech
Hana Ulmanová
Essays
13 The Maid of Orléans at the Palace of Pleasure: Welty’s “The Purple Hat” and the Emblematic Nature of Violence
Rebecca L. Harrison
43 “Whose Music Was It?”: Unaccountable Art and Uncontainable Sex in Langston Hughes’s “Home” and Eudora Welty’s “June Recital”
Donnie McMahand and Kevin Murphy
69 Alternative Corporealities in “June Recital”: Eudora Welty’s Queering of Virgie Rainey and Miss Eckhart
Shannon Draucker
89 Murder and Rape: Reading Flannery O’Connor alongside Eudora Welty
Robert H. Brinkmeyer, Jr.
113 “As if a rabbit had run over her grave”: Gothic Girlhood in Eudora Welty’s Delta Wedding
Kelsey E. Moore
Roundtable Review:
Teaching the Works of Eudora Welty: Twenty-First-Century Approaches, ed. by Mae Miller Claxton and Julia Eichelberger
141 Eudora Welty and Productive Discomfort in the Classroom
Shannon Draucker
144 Building a Legacy
Jill Fennell
147 Failures and Successes
Jonathan P. Lewis
150 Pivoting Between Modernities
Benjamin Widiss
Practical Matters
155 Eudora Welty Foundation
Jeanne B. Luckett
163 Eudora Welty House and Garden
Bridget Edwards
166 Eudora Welty Society
Harriet Pollack
171 Eudora Welty Collection, Mississippi Department of Archives and History
Forrest Galey
179 Eudora Welty Research Fellowship, Summer 2017
Sophia K. Leonard
Checklist
187 Checklist of Welty Scholarship 2016–2018
Catherine H. Chengges
Spring 2017, Vol. 9, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
Interview
• 1990: I Call on Eudora Welty An Interview—Tom Nolan
Essays
• Sister Act: Margaret Walker and Eudora Welty—Carolyn J. Brown
• Welty on the Interstate: Mobility and Mass Culture on I-55 and the Natchez Trace—Daniel Spoth
• Triangulation and an Outsider’s South in Eudora Welty’s “No Place for You, My Love”—Laura Sloan Patterson
• “Something Inarticulate”: Sexual Desire in the Fiction of Eudora Welty and Hubert Creekmore—Annette Trefzer
Reviews
• Eudora Welty’s Fiction and Photography: The Body of the Other Woman, by Harriet Pollack—Stephen M. Fuller
• Keywords for Southern Studies, ed. by Scott Romine and Jennifer Rae Greeson—Michael Kreyling
• The Oxford Handbook of the Literature of the US South, ed. by Fred Hobson and Barbara Ladd—Gina Caison
• Serious Daring: The Fiction and Photography of Eudora Welty and Rosamond Purcell, by Susan Letzler Cole—Jill Fennell
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Bridget Edwards
• Eudora Welty Society—Julia Eichelberger
• Eudora Welty Collection, Mississippi Department of Archives and History—Forrest Galey
• Eudora Welty Research Fellowship, Mississippi Department of Archives and History, Summer 2016—Boosung Kim
• Checklist of Welty Scholarship 2015–2016—Catherine H. Chengges
Spring 2016, Vol. 8, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
Tributes
• A Tribute to William U. McDonald, Jr.—Pearl A. McHaney
• A Tribute to Timothy Seldes—Pearl A. McHaney
• A Tribute to William Jay Smith—Suzanne Marrs
Works by Welty
• Of Memory, Place, and Friendship: Eudora Welty’s Unpublished Review of Bowen’s Court—Sarah Dyne
• Review of Bowen’s Court (Reissue 1979)
• Eudora Welty’s 1985 Reading of William Faulkner’s As I Lay Dying, Sanctuary, and Light in August—Pearl Amelia McHaney
Essays
• Race, Nature, and Decapitation in Eudora Welty’s “A Curtain of Green”—Cliff Hudder
• Tracing a Literary and Epistolary Relationship: Eudora Welty and Her Editor, Robert Giroux—Patrick Samway
• Learning to Listen: The Way a Society Speaks in Eudora Welty’s “Where Is the Voice Coming From?” and “The Demonstrators”—William Murray
Review Essay & Interview
• “A Fine Romance”: Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald by Suzanne Marrs, Tom Nolan —Michael Kreyling
• “Meanwhile There Are Letters”: Interview with Suzanne Marrs—Pearl A. McHaney
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Bridget Edwards
• Eudora Welty Society—Julia Eichelberger
• Eudora Welty Collection, Mississippi Department of Archives and History—Forrest Galey
• Eudora Welty Biennial 2017—David Kaplan
• Eudora Welty and the Short-Story Cycle: A Report on My Research at the Mississippi Department of Archives and History (Eudora Welty Research Fellowship, Mississippi Department of Archives and History, Summer 2015)—Ikuko Takeda
• Checklist of Welty Scholarship 2014–2015—Catherine H. Chengges
Spring 2015, Vol. 7, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
Interview
• Interview: Eudora Welty’s Friendship with Walker Percy—Patrick Samway
Essays
• “My Old Lady”: The Influence of Eudora Welty’s Phoenix Jackson on Elizabeth Bishop’s “Faustina”—Jessica Jane Temple
• Eudora Welty’s Challenge to Fascism in The Robber Bridegroom—Susan Wood
• Altering the Course: History, Romantic Nationalism, and Colonial Signifiers in Welty’s Natchez Trace Fiction—Rebecca L. Harrison
• “Both authors are aunts!”: The Note That Compares Delta Wedding with Pride and Prejudice—Carolyn J. Brown
• Finding the Extraordinary in Welty’s “Music from Spain”—Alison Graham-Bertolini
Reviews
• Tracing Southern Storytelling in Black and White, by Sarah Gilbreath Ford—Jessica Jane Temple
• Ersatz America: Hidden Traces, Graphic Texts, and the Mending of Democracy, by Rebecca Mark—Chip Badley
• Reading Welty in the Twenty-first Century: A Tyrannous Eye: Eudora Welty’s Nonfiction and Photographs, by Pearl Amelia McHaney—Patrick E. Horn
• A Dark Rose: Love in Eudora Welty’s Stories and Novels, by Sally Wolff—Michael Kreyling
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Bridget Edwards
• Eudora Welty Society—Sarah Ford
• Eudora Welty Collection, Mississippi Department of Archives and History—Forrest Galey
• Eudora Welty Research Fellowship, Mississippi Department of Archives and History, Summer 2014—Jacob Agner
• Checklist of Welty Scholarship 2013–2014—Catherine H. Chengges
Spring 2014, Vol. 6, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
• Things from Out in the World—Louis D. Rubin, Jr.
Essays
• “Everybody to their own visioning”: Eudora Welty in the Twenty-First Century—David McWhirter and Sarah Ford
• “Moments of Truth”: Eudora Welty’s Humanism—Danièle Pitavy-Souques
• Eudora Welty and Postmodern Performativity—Stephen M. Fuller
• Why Aren’t Middle-Class White Women Laughing in Eudora Welty’s Fiction?—Rebecca Mark
• “Moon Lake” and the American Summer Camp Movement—Sarah L. Peters
• “Remember right”: Disenfranchised Grief and the Commemoration of Queer Bodies in Welty’s Fiction and Life—Donnie McMahand and Kevin Murphy, Winners of the 2013 Ruth Vande Kieft Prize
• Eudora Welty and Daniel Woodrell: Writings of the Upland South—Mae Miller Claxton
• “A Penny to Spare”: The Question of Charity and the Rise of Social Security—Annette Trefzer
• Things in Images, Images in Things: Eudora Welty’s Material World—Géraldine Chouard
Interview
• Jill McCorkle: In Conversation with Michael Kreyling—Jill McCorkle and Michael Kreyling
Reviews
• The Storied South: Voices of Writers and Artists, by William Ferris—Thomas L. McHaney
• Civil Rights in the White Literary Imagination: Innocence by Association, by Jonathan W. Gray—Leverett Butts
• Tell about Night Flowers: Eudora Welty’s Gardening Letters, 1940–1949, by Eudora Welty, ed. by Julia Eichelberger—Elizabeth Crews
• Transatlantic Renaissances: Literature of Ireland and the American South, by Kathryn Stelmach Artuso—Sarah Dyne
• Eudora Welty, Whiteness, and Race, ed. by Harriet Pollack—Suzan Harrison
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Bridget Edwards
• Eudora Welty Society—Sarah Ford
• Eudora Welty Collection, Mississippi Department of Archives and History—Forrest Galey
• “Caught in the act of living”: Welty as a Voyeur and Witness of Black Life. Eudora Welty Research Fellowship, Mississippi Department of Archives and History, Summer 2013—Ebony Olivia Lumumba
• Checklist of Welty Scholarship 2012–2014—Catherine H. Chengges
Spring 2013, Vol. 5, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
Tributes to Noel Polk
• Noel Polk and the 1977–1996 Eudora Welty Newsletter—W. U. McDonald, Jr.
• Noel Polk, Friend and Scholar—Tom McHaney
• Noel Polk, Thank You—Danièle Pitavy-Souques
• Noel Polk: Special Person, Dear Friend, Lovely Man—Peggy Prenshaw
Works by Welty
• Welty’s “Cindy and the Joyful Noise”: Introductory Comments—Laura Beasley
• Cindy and the Joyful Noise (with author’s note)—Eudora Welty
• Excerpt from Tell about Night Flowers: Eudora Welty’s Gardening Letters, 1940–1949—Eudora Welty, sel. and ed. Julia Eichelberger
• Eudora Welty Celebrates the Spring—Eudora Welty, interviewed by Anne Hobson Freeman
• Eudora Welty: The Voice of the Mind of the South—Eudora Welty, interview with Boyd Lewis & Margaret Pepperdene
Essays
• A Collision of Visions: Montage and the Concept of Collision in Eudora Welty’s “June Recital”—Jacob Agner, Winner of the 2012 Ruth Vande Kieft Prize
• Astonishing Stories: Eudora Welty and the Weird Tale—Mitch Frye
• Searching for the Garnet Pin: Confluence as Narrative Technique in Eudora Welty’s Delta Wedding—Alison Graham-Bertolini
• “He doesn’t strike me as a family man”: Uncloseting George Fairchild’s Queerness in Eudora Welty’s Delta Wedding—Nathan G. Tipton
• 1119 Pinehurst Street: Selections from Native Ground—Rob McDonald
• Writing The Help: The Oblique and Not-So-Oblique Narratives of Eudora Welty, Ellen Douglas, Norma Watkins, and Kathryn Stockett—Mae Miller Claxton
Reviews
• Eudora Welty and Surrealism, by Stephen M. Fuller—Michael Kreyling
• A Daring Life: A Biography of Eudora Welty, by Carolyn J. Brown—Elizabeth Crews
• Eudora Welty et la photographie: Naissance d’une vision, by Géraldine Chouard—Yohann Brultey
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Bridget Edwards
• Eudora Welty Society—David McWhirter
• Eudora Welty Collection, Mississippi Department of Archives and History—Forrest Galey
• Eudora Welty Research Fellowship, Mississippi Department of Archives and History, Summer 2012—Monica Miller
• Checklist of Welty Scholarship 2011–2013—Catherine H. Chengges
Spring 2012, Vol. 4, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
• The Individual, Not the Trend Is Important to Writer, Jackson Author of ‘Delta Wedding’ Believes—Ann Cresswell
• Gardens and Dreams in E. P. O’Donnell’s The Great Big Doorstep—Emily Owens
• Afterword to E. P. O’Donnell’s The Great Big Doorstep—Eudora Welty
• Letter by Eudora Welty on Her Ohio Kin (c. 1987)—Eudora Welty
• The Idea of Story Ideas—Fred Chappell
• Transatlantic Rites of Passage in the Friendship and Fiction of Eudora Welty and Elizabeth Bowen—Kathryn Stelmach Artuso
• Eudora Welty’s Theatrical Sketches of 1948: Summer Diversion or Lost Potential?—Leslie Gordon
• Gentlemen in Spring—E. P. Edwards
• Traveling the Many “Crooked and Wide” Ways: Allegorical Beckoning in Eudora Welty’s Losing Battles—Seth Hagen
• Eudora Welty Suite: Five Poems—Sue Brannan Walker
• Not All That Separate: Welty and Warren, Medusa and Perseus—Randolph Paul Runyon
Reviews
• Composing Selves: Southern Women and Autobiography, by Peggy Whitman Prenshaw—Will Brantley
• What There Is to Say We Have Said: The Correspondence of Eudora Welty and William Maxwell, ed. Suzanne Marrs—Brannon Costello
• One Writer’s Garden: Eudora Welty’s Home Place, by Susan Haltom and Jane Roy Brown, photographs by Langdon Clay—Robert Burns
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Karen Redhead
• Eudora Welty Society—David McWhirter
• Eudora Welty Collection, Mississippi Department of Archives and History—Forrest Galey
• Eudora Welty Research Fellowship, Mississippi Department of Archives and History, Summer 2011—Elizabeth Crews
• Checklist of Welty Scholarship 2010–2011—Catherine H. Chengges
• Welty, Spencer, and Creekmore Added to Special Collections, Georgia State University—John Bayne
Spring 2011, Vol. 3, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
• Reynolds Price, February 1, 1933–January 20, 2011
• Reynolds Price: Shine and Power—Josephine Humphreys
• In Memory I Can Still See Reynolds—Lee Smith
• Reynolds Price: The Source of Prophecy—Suzanne Marrs
• Eudora Welty’s Language of the Spirit—Peggy Whitman Prenshaw
• Eudora Welty’s The Robber Bridegroom: A New Use of the Fairy Tale—Rosella Mamoli Zorzi
• “A Woman’s Serious Foot”: Feet and Shoes in Delta Wedding, “Asphodel,” and “The Winds”—Lorinda B. Cohoon
• Confronting the Medusa: Similes in The Golden Apples—Monica Pavani
• Eudora Welty and the Poetry of W. B. Yeats Before and After The Golden Apples—Carol Ann Johnston
• “Put Banner on the map!”: Knowledge, Power, and Colonialism in Welty’s Losing Battles—Adrienne Akins
• At a Loss for Words: Subtext, Silence, and Sympathy in “Where Is the Voice Coming From?”—Daniel Wood
• Virtuoso Variations: Welty’s Unstable Texts and Her Outtakes—Jan Nordby Gretlund
• Eudora Who? Reception and Reading in Germany—Alison D. Goeller
• The Clarity and the Mystery: Reading Eudora Welty—Elisabetta Rasy
• Excerpt: What There Is to Say We Have Said: The Correspondence of Eudora Welty and William Maxwell—Suzanne Marrs, editor
Reviews
• Prospects for the Study of American Literature (II), ed. Richard Kopley and Barbara Cantalupo—Michael Kreyling
• Eudora Welty: Exposures and Reflections, exhibition curated by Jacob Laurence—Leigh Kirkland
Practical Matters
• Eudora Welty Foundation—Jeanne B. Luckett
• Eudora Welty House and Garden—Karen Redhead
• Eudora Welty Society—Mae Miller Claxton
• Eudora Welty Collection at Mississippi Department of Archives and History—Forrest Galey
• Stuart Wright and Shelby Foote Papers Archived—Emily Schulten
• Wedding News from 1921—Malinda Snow
• Works by Welty: A Continuing Checklist—Pearl A. McHaney
• Checklist of Welty Scholarship 2009–2010—Catherine H. Chengges
• Checklist: Reynolds Price and Eudora Welty—John Soward Bayne
Spring 2010, Vol. 2, Eudora Welty Review
• Users’ Guide: A Word from the Editor—Pearl A. McHaney
• Eudora Welty and the Writing Life—Peggy Whitman Prenshaw
• Eudora Welty’s “A Curtain of Green”: Overcoming Melancholia through Writing—Elizabeth Crews
• “Keela, the Outcast Indian Maiden”: (Story)Telling the Southern Ideology—Diana Almeida
• Falling into Blackness: Race, Class, and Female Transgression in Eudora Welty’s “Moon Lake”—Lindsay Byron
• “The Inspired Child of [Her] Times”: Eudora Welty as a Twentieth-Century Artist—Danièle Pitavy-Souques
• Eudora Welty from A to Z: Q to Z—Géraldine Chouard
Reviews
• Eudora Welty’s Delta Wedding, ed. Reine Dugas Bouton—Malinda Snow
• Mississippi Quarterly: Eudora Welty Centennial Supplement, ed. Pearl Amelia McHaney—Susan V. Donaldson
• “Lo que el viento no se llevó” (No, Not Gone with the Wind), Review of Cuentos completos/Collected Stories by Eudora Welty—Ma Ángeles Cabré, Trans. Cindy Sheffield Michaels & Estefania Olid-Pena
Practical Matters
• Eudora Welty Foundation—Jeanne Luckett
• Eudora Welty House and Garden—Karen Redhead
• Eudora Welty Society—Mae Miller Claxton
• Eudora Welty Collection at Mississippi Department of Archives and History—Forrest Galey
• Works by Welty: A Continuing Checklist—Pearl A. McHaney
• Checklist of Welty Scholarship 2008–2009—Catherine H. Chengges
Spring 2009, Vol. 1, Eudora Welty Review
• Celebrations and Introductions—Pearl A. McHaney
• Eudora Welty: An Introduction—Elizabeth Spencer
• Two Jackson Excursions—Peggy Whitman Prenshaw
• Two Mississippi Clippings—Peggy Whitman Prenshaw
• Welty Receives Honorary Degree from Columbia Parting the Curtain on Lye Poisoning in “A Worn Path”—Melissa Deakins Stang
• Eudroa Welty’s Use of Southern Dialect in “Why I Live at the P. O.”—Heather Russel
• “Unmoveable Relics”: The Farr Family and Revisions of Position, Direction, and Movement in Eudora Welty’s “Clytie”—Lorinda B. Cohoon
• Finding (M)other’s Face: A Psychoanalytic Approach to Eudora Welty’s “Clytie”— Don James McLaughlin
• Eudora Welty’s “Magic”: A History of the Story—Pearl A. McHaney
• Gratitude, Greed, and Grace in The Robber Bridegroom: Eudora Welty’s Intricate American Parable—Anne Ramirez
• “Oft in the Stilly Night”: Past and Present, Myth and Identity in Delta Wedding—Malinda Snow
• Baking the Cake: My Recipe for Mashula’s Coconut Cake—Ann Romines
• The Habit of Sir Rabbit: Harris, Hurston, and Welty—James Shimkus
• Re-visiting The Re-creation of Brian Kent—Leslie Gordon
• Textual Collations—Noel Polk
• Music from “Music from Spain”: Textual Variants—John Bayne
• Historicizing The Ponder Heart—Julia Eichelberger
• Joe Krush: Illustrator of Eudora Welty’s The Ponder Heart—Meribeth Huebner Fell
• Strange Felicity: Welty’s Women Laughing, Disguising, Revising, Seizing Speech—Lois M. Welch
• Welty’s Words for the Birds … and for Children and Scholars, Too—Cindy Sheffield Michaels
• The Mediating Voice of Humor: The Shoe Bird and Welty’s Adult Texts—Heather M. Hoyt
• Collecting the Stories of Eudora Welty—John Ferrone
• “The Book I Couldn’t Have”: The Perilous Attractions of Elsie Dinsmore—Joan Wylie Hall
• Familiar and Foreign Bodies in 1930s Photographs of the South—Stuart Kidd
• Discovering the Italian Traditions of Eudora Welty’s Worlds—Maria Sciacco
Reviews
• Eudora Welty in France: Delta V—Danièle Pitavy-Souques
• Three Collections of Welty Criticism: A Review—Michael Kreyling