Tuesday, March 29, 2022 | Congregational Song, Hymnody, Northcutt Lecture Series
Creature Canticles: or, Where Have All the Animals Gone? Throughout the Bible, the whole creation is called to join in praise of God: from wild animals and cattle, to creeping things and flying birds (Psalm 148:10). However, hymn texts from the Western Christian tradition contain…
Sunday, August 8, 2021 | Global Missions, Global Worship Music, Hymnody, Theses & Dissertations
This dissertation is a cultural history and musical ethnography of the first Brazilian Baptist hymnal Cantor Cristão. Published in 1891, it was revised and expanded, and went through thirty-seven editions but remained the only official Baptist hymnal for one hundred years. Though a second Brazilian Baptist hymnal
Tuesday, July 6, 2021 | Christian & Gospel Music Industry, Hymnody, Music Composition & Arranging, Theses & Dissertations
Subjects: Bill Gaither. Gloria Gaither. Gaither Vocal Band. The Bill Gaither Trio. Southern gospel Abstract: This dissertation presents a “thick history” of the career of Bill Gaither, to use Jennifer Lena’s term. While examining the Bill Gaither Trio and the Gaither...
Monday, September 23, 2019 | Congregational Song, Hearn Innovators Series, Hymnody, Songwriting
Lecture is on “Songwriting from the Psalms” and explores some of Greg’s own compositions based on varying subjects as expressed in the Psalms.
Tuesday, November 14, 2017 | Congregational Song, Hymnody, Theses & Dissertations
This thesis examines George Whitefield’s A Collection of Hymns for Social Worship and presents a thematic analysis of the hymn book’s lyrical content. This research contributes to a fuller understanding of Whitefield’s evangelistic mission, provides a perspective on Whitefield’s views on singing and hymnody, and suggests that the values that motivated Whitefield as a preacher also shaped his decisions as an editor and compiler of hymn texts. Whitefield’s religious zeal, theatrical tendencies, rhetorical abilities, and desire for Christian ecumenism are underscored as important factors that…
Thursday, November 29, 2012 | Congregational Song, Hymnody, Theses & Dissertations, Worship Philosophy & Theology
Perhaps the most distinctive characteristic of traditional evangelical worship is the widespread practice of the “invitation” near the close of the worship service. A significant element of that invitation is the accompanying hymn, one that emphasizes the need for conversion and spiritual renewal. This thesis addresses the origin and early evolution of the public invitation, and more specifically, the hymns that have been used by evangelicals for this part of their worship. Hymns from Gospel Hymns Nos. 1 to 6, the most popular hymnal among evangelicals in the…